14th-16th Centuries Counterpoint

Ramos and Frye at Seville: “oral contrafacta” in the Cancionero de la Colombina

Music History / Music Theory / Musicology / Improvisation / Renaissance Studies / Renaissance Art / Spanish History / 16th Century Counterpoint / Renaissance music / Polyphony / 14th-16th Centuries Counterpoint / Teoría Musical Del Renacimiento / Renaissance Art / Spanish History / 16th Century Counterpoint / Renaissance music / Polyphony / 14th-16th Centuries Counterpoint / Teoría Musical Del Renacimiento

La teoría de canto de órgano y contrapunto en el Renacimiento español. La Sumula de canto de organo de Domingo Marcos Durán como modelo

Music / Musical Composition / Music History / Music Theory / Musicology / Improvisation / Medieval History / Renaissance Humanism / Composition (Music) / Spanish History / Medieval Europe / 16th Century Counterpoint / Renaissance music / Medieval Art / 14th-16th Centuries Counterpoint / Music Performance / Vocal Polyphony / Music Improvisation / Humanismo / Siglo XVI / Rennaissance Art / Music performance and improvisation / Renacimiento / 16th-Century Polyphony / 15th Century Music / Counterpoint / Spanish Humanism / 15th Century / Salamanca / Teoría Musical Del Renacimiento / Music Printing / Historia de la imprenta / Teoria Musical / music printing, early modern Germany, history of the book / Spanish Renaissance Music / Music printing in the 16th and 17th centuries / Humanismo y Renacimiento / Music Printing and Publishing / University of Salamanca In Middle Ages / Catholic Kings / Universidad de Salamanca (Spain) / Reyes Catolicos Fernando E Isabel / 15th and 16th Century Spanish History / Música Española Del Renacimiento / Catedral De Salamanca / Historia De La Imprenta Espoañola / Música Del Renacimiento Español / German printers / Historia de la imprenta española antigua / Pedro martínez de osma / Pedro de Osma / Ramos de Pareja / Improvisation / Medieval History / Renaissance Humanism / Composition (Music) / Spanish History / Medieval Europe / 16th Century Counterpoint / Renaissance music / Medieval Art / 14th-16th Centuries Counterpoint / Music Performance / Vocal Polyphony / Music Improvisation / Humanismo / Siglo XVI / Rennaissance Art / Music performance and improvisation / Renacimiento / 16th-Century Polyphony / 15th Century Music / Counterpoint / Spanish Humanism / 15th Century / Salamanca / Teoría Musical Del Renacimiento / Music Printing / Historia de la imprenta / Teoria Musical / music printing, early modern Germany, history of the book / Spanish Renaissance Music / Music printing in the 16th and 17th centuries / Humanismo y Renacimiento / Music Printing and Publishing / University of Salamanca In Middle Ages / Catholic Kings / Universidad de Salamanca (Spain) / Reyes Catolicos Fernando E Isabel / 15th and 16th Century Spanish History / Música Española Del Renacimiento / Catedral De Salamanca / Historia De La Imprenta Espoañola / Música Del Renacimiento Español / German printers / Historia de la imprenta española antigua / Pedro martínez de osma / Pedro de Osma / Ramos de Pareja
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